Its not uncommon to sim and render fluids with dynamics attributes higher than 1, but that tends to lead to issues in shading and rendering since maya’s internal fluid shader defaults to 0-1 value mapping. Yay! I mean, YAY there’s a workable solution!The draw backs to this is not being able to see your ramps [...]

If you enjoy our post, feel free to subscribes to our rss feeds

Here’s the thing. Its not about how did I or why did I do something in a scene. Its a process. I start with 1 fluid 1 emitter kinda low rez (50×50×50′ish) I turn everything on, b/c I know what I’m doing and what I want to make I set only 3 attrs [...]

If you enjoy our post, feel free to subscribes to our rss feeds

Peacock does so many amazing things that we decided to call it our "Visual Laboratory". Experiment with pixel-based images in completely new ways. Check out the new user-created wiki for in-depth documentation.
check this out

Related posts

Making of Matrouk (0)
3DS Max Tutorial – Particle Blazing Fire (1)
Trailer – “The Companions Of The Elephant” (0)
Photoshop Tutorial [...]

If you enjoy our post, feel free to subscribes to our rss feeds

Effects house, CIS Vancouver used mocha assist in the process of applying "digital makeup", cuts & bruises to the rugby teams of "Invictus".

“mocha was able to quickly and accurately track large patches of screen area with sometimes little or no detail. With the ability to run concurrent multiple tracks on the same shot, [...]

If you enjoy our post, feel free to subscribes to our rss feeds

The VFX Show Podcast on AVATAR is a must
http://blog.vfxshow.com/?p=341
Avatar’s VFX Master: Weta Digital’s Joe Letteri interviews
http://blogs.indiewire.com/thompsononhollywood/2009/12/23/avatars_vfx_master_weta_digitals_joe_letteri/
FXGuide Red Center : on the Cameron 3D camera
http://www.cinefex.com/backissues/issue120.html
RealD in Imax
http://en.wikipedia.org/wiki/RealD_Cinema
Cinefex , the world leading print resource for anything VFX has a very in depth looks at this masterpiece you can pick up a copy [...]

If you enjoy our post, feel free to subscribes to our rss feeds

Related posts

Avatar – Get Inspired (0)
Rhinofx adds VFX to Soul Men feature film (0)
Insect Swarm Tutorial Coming Soon (0)
Case Study: Clint Eastwood’s "Invictus" (0)
Six New Badass Max Payne Promo Photos! (0)

If you enjoy our post, feel free to subscribes to our rss feeds

Prime Focus, India’s leading integrated post production and visual effects services company has delivered an array of post services and over 1000 visual effects shots for Bollywood film “Chandni Chowk to China” (CC2C). Co-produced by Warner Bros, CC2C is the biggest internationally exposed film in the history of Indian cinema, the first Bollywood film to [...]

If you enjoy our post, feel free to subscribes to our rss feeds

With the Transporter saga, producer Luc Besson has managed to make a point: French filmmakers can deliver the same adrenaline-fueled action sequences as Hollywood. The franchise follows the adventures of top notch driver-for-hire Frank, a man whose clients often prove to be less reliable than him…
full story
more details

Related posts

Rhinofx adds VFX to Soul Men [...]

If you enjoy our post, feel free to subscribes to our rss feeds

US VFX studio rhinofx has contributed effects work to Dimension Films’ latest project, Soul Men. The film, starring Samuel L. Jackson and Bernie Mac, centres on the plight of two backup soul singers who reluctantly reunite after 20 years for a reunion concert to honour their recently deceased lead singer. Directort Malcolm Lee (Spike Lee’s [...]

If you enjoy our post, feel free to subscribes to our rss feeds

“Comedy is serious business,” deadpans Michael L. Fink , visual effects supervisor on Ben Stiller’s outrageous new comedy, Tropic Thunder. And Fink should know. An Academy Award winner for his work on last year’s The Golden Compass , Fink has supervised everything from X2 to Wargames, but Tropic Thunder was the proverbial glass of cold [...]

If you enjoy our post, feel free to subscribes to our rss feeds